Seriously, no creature feature will give you as much of a shock to the system until you see that thing on top of Adjani, who is bewitching as she's writhing in ecstasy. Like any sexually unsatisfied woman is one to do: She is found to have cut up various men to build her own new and improved "husband," or a tentacled creature, rather, that will give her pleasure like no one else ever could. Eventually, after Mark discovers where she's been hiding and realizes multiple men in search of her have gone missing, he discovers what she's been up to. In part an allegory for divorce and critique of spouses' expectations of one another, Isabelle Adjani's lonely housewife Anna disappears to mysterious locations throughout the film, much to the frustration of her husband Mark (Sam Neill). The body horror movie was deemed as too grotesque and generally too out there at the time-its climactic sex scene being one part that gained it that reputation. When Andrzej Żuławski's French-German film Possession was released stateside in the '80s, audiences saw a heavily edited version. And yet there’s something sweet, maternal, and oddly delightful about the whole thing, which is less an exercise in peculiar sex than it is a formative experience for a character aching to break out of his shell. None of it would fly in a mainstream American film even art-house films might shy away from the vast age difference and general strangeness. Wearing a nightgown, she then invites him into her bedroom, asks him to brush her “slit,” and coaches him through his first intercourse. At one point, his upstairs neighbor (Betty Pedrazzi) asks him to retrieve a bat that has flown into her erotically lit apartment. The Hand of God, Italian maestro Paolo Sorrentino’s semi-autobiographical coming-of-age tale that recently earned an Oscar nomination for Best International Film, follows a budding artist (Filippo Scotti) through a tragicomic period in his youth. This one involves a bat, a hairbrush, and a classy septuagenarian who wants to teach the 17-year-old protagonist a thing or two about pleasing a woman. (But as it's rare to see green on screen, it foreshadows the remainder of the drama's jealousy-fueled events that begin when an unsuspecting witness walks in on the two pressed against the library.) - Sadie Bell TriStar Pictures It's one of the most gorgeous intimate scenes, with shots highlighting Knightly's stunning green satin gown. But they give into each other in swift, small movements-just a kiss, unflinching eye contact, and a nod to give her consent-then suddenly their secrete passion culminates and her body is pressed against the bookcase. At first, the encounter between her character Cecilia and James McAvoy's Robbie is extremely tense, unfolding after she learns just how much her housekeeper has been longing for her, having received a letter that vulgarly details his affections. In an interview with Vulture, Kiera Knightly said, "The best sex scene I’ve done onscreen is the one in Atonement, on the bookshelf." She called it "both the best sex scene, but also to shoot" because of how much director Joe Wright choreographed it. The list you're about to read is hardly comprehensive-with such an open-ended topic, how could it be?-but instead seeks to shine a light on some sexual encounters that have stuck with us long after the lights turn back on and you file out of the theater. That makes it even more important to celebrate some of the hottest, wildest, strangest, and most shocking sex scenes the movies do offer. But it's hard to make a case that we're living in a moment of abundant cinematic passion. (At least we have Blonde to look forward to.) You can point to any number of causes: the rise of chaste PG-13 superhero blockbusters, the decline of the mid-budget adult drama, or the availability of pornography on the internet. Whether you're consulting the data or pursuing the New Yorker's website, there's widespread agreement that the on-screen sex scene, a fixture of the moviegoing experience for much of the taboo-breaking '70s and into the erotic thriller-filled '90s, has begun to fade. At some point in the last 20 years, Hollywood lost its mojo.
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